I leap and dance in his midst, and play with his beard till he smiles. I greet thee, my elder brother! who with thy touch ennoblest all things. Then is holiday when naught intervenes betwixt me and thee. Must it be so, — then is it good. The stars are thy interpreters to me.

Over Greece hangs the divine necessity, ever a mellower heaven of itself; whose light gilds the Acropolis and a thousand fanes and groves.4

II. What Music Shall We Have?

Each more melodious note I hear
Brings this reproach to me,
That I alone afford the ear,
Who would the music be.

The brave man is the sole patron of music; he recognizes it for his mother tongue; a more mellifluous and articulate language than words, in comparison with which, speech is recent and temporary. It is his voice. His language must have the same majestic movement and cadence that philosophy assigns to the heavenly bodies. The steady flux of his thought constitutes time in music. The universe falls in and keeps pace with it, which before proceeded singly and discordant. Hence are poetry and song. When Bravery first grew afraid and went to war, it took Music along with it. The soul is delighted still to hear the echo of her own voice. Especially the soldier insists on agreement and harmony always. To secure these he falls out. Indeed, it is that friendship there is in war that makes it chivalrous and heroic. It was the dim sentiment of a noble friendship for the purest soul the world has seen, that gave to Europe a crusading era. War is but the compelling of peace. If the soldier marches to the sack of a town, he must be preceded by drum and trumpet, which shall identify his cause with the accordant universe. All things thus echo back his own spirit, and thus the hostile territory is preoccupied for him. He is no longer insulated, but infinitely related and familiar. The roll-call musters for him all the forces of Nature.

There is as much music in the world as virtue. In a world of peace and love music would be the universal language, and men greet each other in the fields in such accents as a Beethoven now utters at rare intervals from a distance. All things obey music as they obey virtue. It is the herald of virtue. It is God’s voice. In it are the centripetal and centrifugal forces. The universe needed only to hear a divine melody, that every star might fall into its proper place, and assume its true sphericity. It entails a surpassing affluence on the meanest thing; riding over the heads of sages, and soothing the din of philosophy. When we listen to it we are so wise that we need not to know. All sounds, and more than all, silence, do fife and drum for us. The least creaking doth whet all our senses, and emit a tremulous light, like the aurora borealis, over things. As polishing expresses the vein in marble, and the grain in wood, so music brings out what of heroic lurks anywhere. It is either a sedative or a tonic to the soul.