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A Week on the Concord and Merrimack Rivers

by Henry D. Thoreau


Still will I strive to be
As if thou wert with me;
Whatever path I take,
It shall be for thy sake,
Of gentle slope and wide,
As thou wert by my side,
Without a root
To trip thy gentle foot.

I 'll walk with gentle pace,
And choose the smoothest place
And careful dip the oar,
And shun the winding shore,
And gently steer my boat
Where water-lilies float,
And cardinal flowers
Stand in their sylvan bowers.

It required some rudeness to disturb with our boat the mirror-like surface of the water, in which every twig and blade of grass was so faithfully reflected; too faithfully indeed for art to imitate, for only Nature may exaggerate herself. The shallowest still water is unfathomable. Wherever the trees and skies are reflected, there is more than Atlantic depth, and no danger of fancy running aground. We notice that it required a separate intention of the eye, a more free and abstracted vision, to see the reflected trees and the sky, than to see the river bottom merely; and so are there manifold visions in the direction of every object, and even the most opaque reflect the heavens from their surface. Some men have their eyes naturally intended to the one and some to the other object.

"A man that looks on glass,
On it may stay his eye,
Or, if he pleaseth, through it pass,
And the heavens espy."

Two men in a skiff, whom we passed hereabouts, floating buoyantly amid the reflections of the trees, like a feather in mid-air, or a leaf which is wafted gently from its twig to the water without turning over, seemed still in their element, and to have very delicately availed themselves of the natural laws. Their floating there was a beautiful and successful experiment in natural philosophy, and it served to ennoble in our eyes the art of navigation; for as birds fly and fishes swim, so these men sailed. It reminded us how much fairer and nobler all the actions of man might be, and that our life in its whole economy might be as beautiful as the fairest works of art or nature.

The sun lodged on the old gray cliffs, and glanced from every pad; the bulrushes and flags seemed to rejoice in the delicious light and air; the meadows were a-drinking at their leisure; the frogs sat meditating, all sabbath thoughts, summing up their week, with one eye out on the golden sun, and one toe upon a reed, eying the wondrous universe in which they act their part; the fishes swam more staid and soberly, as maidens go to church; shoals of golden and silver minnows rose to the surface to behold the heavens, and then sheered off into more sombre aisles; they swept by as if moved by one mind, continually gliding past each other, and yet preserving the form of their battalion unchanged, as if they were still embraced by the transparent membrane which held the spawn; a young band of brethren and sisters trying their new fins; now they wheeled, now shot ahead, and when we drove them to the shore and cut them off, they dexterously tacked and passed underneath the boat. Over the old wooden bridges no traveller crossed, and neither the river nor the fishes avoided to glide between the abutments.

Page 22 of 197
  • Biography
  • Books:
    • Walden; or, Life in the Woods (172 pages)
    • The Maine Woods (153 pages)
    • Cape Cod (112 pages)
    • A Yankee in Canada (45 pages)
    • A Week on the Concord and Merrimack Rivers (197 pages)
  • Major Essays:
    • Civil Disobedience (16 pages)
    • Slavery in Massachusetts (10 pages)
    • Life Without Principle (13 pages)
    • A Walk to Wachusett (10 pages)
    • A Winter Walk (10 pages)
    • Walking (21 pages)
    • Natural History of Massachusetts (14 pages)
    • The Succession of Forest Trees (10 pages)
    • Autumnal Tints (20 pages)
    • Wild Apples (16 pages)
  • Other Essays  »
  • Correspondence  »
  • Poems  »
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