Indeed, he himself has occasion to say in this very autobiography, when at last he escapes into the woods without the gates: "Thus much is certain, that only the undefinable, wide-expanding feelings of youth and of uncultivated nations are adapted to the sublime, which, whenever it may be excited in us through external objects, since it is either formless, or else moulded into forms which are incomprehensible, must surround us with a grandeur which we find above our reach." He further says of himself: "I had lived among painters from my childhood, and had accustomed myself to look at objects, as they did, with reference to art." And this was his practice to the last. He was even too _well-bred_ to be thoroughly bred. He says that he had had no intercourse with the lowest class of his towns-boys. The child should have the advantage of ignorance as well as of knowledge, and is fortunate if he gets his share of neglect and exposure.

"The laws of Nature break the rules of Art."

The Man of Genius may at the same time be, indeed is commonly, an Artist, but the two are not to be confounded. The Man of Genius, referred to mankind, is an originator, an inspired or demonic man, who produces a perfect work in obedience to laws yet unexplored. The Artist is he who detects and applies the law from observation of the works of Genius, whether of man or nature. The Artisan is he who merely applies the rules which others have detected. There has been no man of pure Genius; as there has been none wholly destitute of Genius.

Poetry is the mysticism of mankind.

The expressions of the poet cannot be analyzed; his sentence is one word, whose syllables are words. There are indeed no _words_ quite worthy to be set to his music. But what matter if we do not hear the words always, if we hear the music?

Much verse fails of being poetry because it was not written exactly at the right crisis, though it may have been inconceivably near to it. It is only by a miracle that poetry is written at all. It is not recoverable thought, but a hue caught from a vaster receding thought.

A poem is one undivided unimpeded expression fallen ripe into literature, and it is undividedly and unimpededly received by those for whom it was matured.

If you can speak what you will never hear, if you can write what you will never read, you have done rare things.

The work we choose should be our own,
God lets alone.

The unconsciousness of man is the consciousness of God.

Deep are the foundations of sincerity. Even stone walls have their foundation below the frost.

What is produced by a free stroke charms us, like the forms of lichens and leaves. There is a certain perfection in accident which we never consciously attain. Draw a blunt quill filled with ink over a sheet of paper, and fold the paper before the ink is dry, transversely to this line, and a delicately shaded and regular figure will be produced, in some respects more pleasing than an elaborate drawing.

The talent of composition is very dangerous,--the striking out the heart of life at a blow, as the Indian takes off a scalp. I feel as if my life had grown more outward when I can express it.

On his journey from Brenner to Verona, Goethe writes:

"The Tees flows now more gently, and makes in many places broad sands. On the land, near to the water, upon the hillsides, everything is so closely planted one to another, that you think they must choke one another,--vineyards, maize, mulberry-trees, apples, pears, quinces, and nuts. The dwarf elder throws itself vigorously over the walls.