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A Week on the Concord and Merrimack Rivers

by Henry D. Thoreau

In the wildest nature, there is not only the material of the most cultivated life, and a sort of anticipation of the last result, but a greater refinement already than is ever attained by man. There is papyrus by the river-side, and rushes for light, and the goose only flies overhead, ages before the studious are born or letters invented, and that literature which the former suggest, and even from the first have rudely served, it may be man does not yet use them to express. Nature is prepared to welcome into her scenery the finest work of human art, for she is herself an art so cunning that the artist never appears in his work.

Art is not tame, and Nature is not wild, in the ordinary sense. A perfect work of man's art would also be wild or natural in a good sense. Man tames Nature only that he may at last make her more free even than he found her, though he may never yet have succeeded.

With this propitious breeze, and the help of our oars, we soon reached the Falls of Amoskeag, and the mouth of the Piscataquoag, and recognized, as we swept rapidly by, many a fair bank and islet on which our eyes had rested in the upward passage. Our boat was like that which Chaucer describes in his Dream, in which the knight took his departure from the island,

"To journey for his marriage,
And return with such an host,
That wedded might be least and most. . . . .
Which barge was as a man's thought,
After his pleasure to him brought,
The queene herself accustomed aye
In the same barge to play,
It needed neither mast ne rother,
I have not heard of such another,
No master for the governance,
Hie sayled by thought and pleasaunce,
Without labor east and west,
All was one, calme or tempest."

So we sailed this afternoon, thinking of the saying of Pythagoras, though we had no peculiar right to remember it, "It is beautiful when prosperity is present with intellect, and when sailing as it were with a prosperous wind, actions are performed looking to virtue; just as a pilot looks to the motions of the stars." All the world reposes in beauty to him who preserves equipoise in his life, and moves serenely on his path without secret violence; as he who sails down a stream, he has only to steer, keeping his bark in the middle, and carry it round the falls. The ripples curled away in our wake, like ringlets from the head of a child, while we steadily held on our course, and under the bows we watched

"The swaying soft,
Made by the delicate wave parted in front,
As through the gentle element we move
Like shadows gliding through untroubled dreams."

The forms of beauty fall naturally around the path of him who is in the performance of his proper work; as the curled shavings drop from the plane, and borings cluster round the auger. Undulation is the gentlest and most ideal of motions, produced by one fluid falling on another. Rippling is a more graceful flight. From a hill-top you may detect in it the wings of birds endlessly repeated. The two _waving_ lines which represent the flight of birds appear to have been copied from the ripple.

The trees made an admirable fence to the landscape, skirting the horizon on every side.

Page 159 of 197
  • Biography
  • Books:
    • Walden; or, Life in the Woods (172 pages)
    • The Maine Woods (153 pages)
    • Cape Cod (112 pages)
    • A Yankee in Canada (45 pages)
    • A Week on the Concord and Merrimack Rivers (197 pages)
  • Major Essays:
    • Civil Disobedience (16 pages)
    • Slavery in Massachusetts (10 pages)
    • Life Without Principle (13 pages)
    • A Walk to Wachusett (10 pages)
    • A Winter Walk (10 pages)
    • Walking (21 pages)
    • Natural History of Massachusetts (14 pages)
    • The Succession of Forest Trees (10 pages)
    • Autumnal Tints (20 pages)
    • Wild Apples (16 pages)
  • Other Essays  »
  • Correspondence  »
  • Poems  »
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