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A Week on the Concord and Merrimack Rivers

by Henry D. Thoreau

A Juvenal or Persius do not marry music to their verse, but are measured fault-finders at best; stand but just outside the faults they condemn, and so are concerned rather about the monster which they have escaped, than the fair prospect before them. Let them live on an age, and they will have travelled out of his shadow and reach, and found other objects to ponder.

As long as there is satire, the poet is, as it were, _particeps criminis_. One sees not but he had best let bad take care of itself, and have to do only with what is beyond suspicion. If you light on the least vestige of truth, and it is the weight of the whole body still which stamps the faintest trace, an eternity will not suffice to extol it, while no evil is so huge, but you grudge to bestow on it a moment of hate. Truth never turns to rebuke falsehood; her own straightforwardness is the severest correction. Horace would not have written satire so well if he had not been inspired by it, as by a passion, and fondly cherished his vein. In his odes, the love always exceeds the hate, so that the severest satire still sings itself, and the poet is satisfied, though the folly be not corrected.

A sort of necessary order in the development of Genius is, first, Complaint; second, Plaint; third, Love. Complaint, which is the condition of Persius, lies not in the province of poetry. Erelong the enjoyment of a superior good would have changed his disgust into regret. We can never have much sympathy with the complainer; for after searching nature through, we conclude that he must be both plaintiff and defendant too, and so had best come to a settlement without a hearing. He who receives an injury is to some extent an accomplice of the wrong-doer.

Perhaps it would be truer to say, that the highest strain of the muse is essentially plaintive. The saint's are still _tears_ of joy. Who has ever heard the _Innocent_ sing?

But the divinest poem, or the life of a great man, is the severest satire; as impersonal as Nature herself, and like the sighs of her winds in the woods, which convey ever a slight reproof to the hearer. The greater the genius, the keener the edge of the satire.

Hence we have to do only with the rare and fragmentary traits, which least belong to Persius, or shall we say, are the properest utterances of his muse; since that which he says best at any time is what he can best say at all times. The Spectators and Ramblers have not failed to cull some quotable sentences from this garden too, so pleasant is it to meet even the most familiar truth in a new dress, when, if our neighbor had said it, we should have passed it by as hackneyed. Out of these six satires, you may perhaps select some twenty lines, which fit so well as many thoughts, that they will recur to the scholar almost as readily as a natural image; though when translated into familiar language, they lose that insular emphasis, which fitted them for quotation. Such lines as the following, translation cannot render commonplace. Contrasting the man of true religion with those who, with jealous privacy, would fain carry on a secret commerce with the gods, he says:--

"Haud cuivis promptum est, murmurque humilesque susurros
Tollere de templis; et aperto vivere voto."
It is not easy for every one to take murmurs and low
Whispers out of the temples, and live with open vow.

To the virtuous man, the universe is the only _sanctum sanctorum_, and the penetralia of the temple are the broad noon of his existence.

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  • Biography
  • Books:
    • Walden; or, Life in the Woods (172 pages)
    • The Maine Woods (153 pages)
    • Cape Cod (112 pages)
    • A Yankee in Canada (45 pages)
    • A Week on the Concord and Merrimack Rivers (197 pages)
  • Major Essays:
    • Civil Disobedience (16 pages)
    • Slavery in Massachusetts (10 pages)
    • Life Without Principle (13 pages)
    • A Walk to Wachusett (10 pages)
    • A Winter Walk (10 pages)
    • Walking (21 pages)
    • Natural History of Massachusetts (14 pages)
    • The Succession of Forest Trees (10 pages)
    • Autumnal Tints (20 pages)
    • Wild Apples (16 pages)
  • Other Essays  »
  • Correspondence  »
  • Poems  »
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