A Week on the Concord and Merrimack Rivers
by Henry D. Thoreau
We observed some fair elms and particularly large and handsome white-maples standing conspicuously on this interval; and the opposite shore, a quarter of a mile below, was covered with young elms and maples six inches high, which had probably sprung from the seeds which had been washed across.
Some carpenters were at work here mending a scow on the green and sloping bank. The strokes of their mallets echoed from shore to shore, and up and down the river, and their tools gleamed in the sun a quarter of a mile from us, and we realized that boat-building was as ancient and honorable an art as agriculture, and that there might be a naval as well as a pastoral life. The whole history of commerce was made manifest in that scow turned bottom upward on the shore. Thus did men begin to go down upon the sea in ships; _quaeque diu steterant in montibus altis, Fluctibus ignotis insultavere carinae;_ "and keels which had long stood on high mountains careered insultingly (_insultavere_) over unknown waves." (Ovid, Met. I. 133.) We thought that it would be well for the traveller to build his boat on the bank of a stream, instead of finding a ferry or a bridge. In the Adventures of Henry the fur-trader, it is pleasant to read that when with his Indians he reached the shore of Ontario, they consumed two days in making two canoes of the bark of the elm-tree, in which to transport themselves to Fort Niagara. It is a worthy incident in a journey, a delay as good as much rapid travelling. A good share of our interest in Xenophon's story of his retreat is in the manoeuvres to get the army safely over the rivers, whether on rafts of logs or fagots, or sheep-skins blown up. And where could they better afford to tarry meanwhile than on the banks of a river?
As we glided past at a distance, these out-door workmen appeared to have added some dignity to their labor by its very publicness. It was a part of the industry of nature, like the work of hornets and mud-wasps.
The waves slowly beat,
Just to keep the noon sweet,
And no sound is floated o'er,
Save the mallet on shore,
Which echoing on high
Seems a-calking the sky.
The haze, the sun's dust of travel, had a Lethean influence on the land and its inhabitants, and all creatures resigned themselves to float upon the inappreciable tides of nature.
Woof of the sun, ethereal gauze,
Woven of Nature's richest stuffs,
Visible heat, air-water, and dry sea,
Last conquest of the eye;
Toil of the day displayed sun-dust,
Aerial surf upon the shores of earth.
Ethereal estuary, frith of light,
Breakers of air, billows of heat
Fine summer spray on inland seas;
Bird of the sun, transparent-winged
Owlet of noon, soft-pinioned,
From heath or stubble rising without song;
Establish thy serenity o'er the fields
The routine which is in the sunshine and the finest days, as that which has conquered and prevailed, commends itself to us by its very antiquity and apparent solidity and necessity. Our weakness needs it, and our strength uses it. We cannot draw on our boots without bracing ourselves against it. If there were but one erect and solid standing tree in the woods, all creatures would go to rub against it and make sure of their footing.