The Last Days of John Brown
by Henry D. Thoreau
What a variety of themes he touched on in that short space! There are words in that letter to his wife, respecting the education of his daughters, which deserve to be framed and hung over every mantelpiece in the land. Compare this earnest wisdom with that of Poor Richard.
The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.
Literary gentlemen, editors, and critics think that they know how to write, because they have studied grammar and rhetoric; but they are egregiously mistaken. The art of composition is as simple as the discharge of a bullet from a rifle, and its masterpieces imply an infinitely greater force behind them. This unlettered man’s speaking and writing are standard English. Some words and phrases deemed vulgarisms and Americanisms before, he has made standard American; such as “It will pay.” It suggests that the one great rule of composition — and if I were a professor of rhetoric I should insist on this — is, to speak the truth. This first, this second, this third; pebbles in your mouth or not. This demands earnestness and manhood chiefly.
We seem to have forgotten that the expression “a liberal education” originally meant among the Romans one worthy of free men; while the learning of trades and professions by which to get your livelihood merely was considered worthy of slaves only. But taking a hint from the word, I would go a step further, and say that it is not the man of wealth and leisure simply, though devoted to art, or science, or literature, who, in a true sense, is liberally educated, but only the earnest and free man. In a slaveholding country like this, there can be no such thing as a liberal education tolerated by the State; and those scholars of Austria and France who, however learned they may be, are contented under their tyrannies have received only a servile education.
Nothing could his enemies do but it redounded to his infinite advantage, — that is, to the advantage of his cause. They did not hang him at once, but reserved him to preach to them. And then there was another great blunder. They did not hang his four followers with him; that scene was still postponed; and so his victory was prolonged and completed. No theatrical manager could have arranged things so wisely to give effect to his behavior and words. And who, think you, was the manager? Who placed the slave-woman and her child, whom he stooped to kiss for a symbol, between his prison and the gallows?
We soon saw, as he saw, that he was not to be pardoned or rescued by men. That would have been to disarm him, to restore him a material weapon, a Sharp’s rifle, when he had taken up the sword of the spirit, — the sword with which he has really won his greatest and most memorable victories. Now he has not laid aside the sword of the spirit, for he is pure spirit himself, and his sword is pure spirit also.
“He nothing common did or mean
Upon that memorable scene,
Nor called the gods with vulgar spite,
To vindicate his helpless right;
But bowed his comely head
Down, as upon a bed.”
What a transit was that of his horizontal body alone, but just cut down from the gallows-tree! We read that at such a time it passed through Philadelphia, and by Saturday night had reached New York.